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This is my client with 10/16 as a toner :)
 

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This is another client with the colourtouch /18 as a toner
 

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And once ive done my other one using the 8/81 i will upload a pic too so others can see different wella toners :)
 
Here's my 10/8 client with 8/81 done today ImageUploadedBySalonGeek1418079082.400850.jpg
 
Didn't know color touch did a 10/8? As KP doesn't do 881 right?


I think beckstar means she usually uses 10/8 for this client but used 8/81 this time.
 
I think beckstar means she usually uses 10/8 for this client but used 8/81 this time.


Got it, reading it again makes more sense lol
 
Thats lovely. So when i am to use 8/81 how long do you leave it/how u notice it is done without it going darker xx


Don't take your eyes off it. You'll see it working.
 
Illumina 10/69 and 8/69 with pastel are great, 10/16 and 9/16 koleston with pastel are good too, for caramel I like the 8/73 xx

Have you got any pictures of the 8/73 at all? X
 
Not the best pic but I time my mates hair with 8/73 :)ImageUploadedBySalonGeek1420402913.415516.jpg
 
How is that an 8?
 
I used 8/73 ct with 1.9% must be the lightening. I did say not the best pic!:)
 
Been trying to find a decent pic of my mates hair on fb,not great hair pics tho ha!!ImageUploadedBySalonGeek1420410673.900712.jpg
 
Sorry lol but that still looks a lot darker than an 8 🙈
 
Sorry lol but that still looks a lot darker than an 8 🙈


Think they are talking about the highlights through it not the actual base colour lol xx
 
Think they are talking about the highlights through it not the actual base colour lol xx


Don't u think the highlights look darker than an 8 too?
 
/7 Brunette seems to annoyingly deepen everything, but those highlights look exactly like the 8/73 swatch!
 
The /7 does tend to deepen the colour,here's a pic from my colour touch swatch book :)ImageUploadedBySalonGeek1420448270.111470.jpg
 
Yea it does look quite dark there it's the "brunette/mahogany" colours 😂 again! Lol I have 4 charts in my shop and none of them have either of those colours lol
 

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